The first single by Lia Pamina, “How Come I” (2014, now out of print), came about as part of an unexpected collaboration - thanks to social networks - with Roger Gunnarson, from PUSHY PARENTS (that project that was only an idea for the studio, comprised of Gunnarson, Amanda Aldervall and Daniel Jansson), and also known for the recognition of bands like NIXON, FREE LOAN INVESTMENT, THE HAPPY BIRTHDAYS and THE …
The first single by Lia Pamina, “How Come I” (2014, now out of print), came about as part of an unexpected collaboration - thanks to social networks - with Roger Gunnarson, from PUSHY PARENTS (that project that was only an idea for the studio, comprised of Gunnarson, Amanda Aldervall and Daniel Jansson), and also known for the recognition of bands like NIXON, FREE LOAN INVESTMENT, THE HAPPY BIRTHDAYS and THE GARLANDS, all of which are groups that have helped him earn such a tremendous status in the indie-pop universe, in addition to his compositions and productions for Cloetta Paris and Sally Saphiro. Of the songs recorded in those sessions, one was left unpublished. Ten years later, this song has been recovered and is being released as a special single, with the same song with English lyrics and a new version in Spanish written by Lia Pamina. “Love Lies, Ya No Quiero Soñar” is back and is an exercise in intelligent production (with Jonas Nordin in control) that Gunnarson admits began as a dance song. When they removed all the details that were created to give it that dance floor push, the melodies and vocals arose, and Lia, Jonas and Roger realized that this was how it had to be, highlighting Lia’s voice, which has a vocal quality that reminds us of Lynsey De Paul, Claudine Longet or our very own Jeanette. The producer, Jonas Nordin, born in Stockholm, has been writing, producing and creating music for artists all over the planet since the 80s. Lia records and produces her vocals and together they create this wonder - an intense and precious song that continues to add to the singer from Castellón’s rich and diverse repertoire. Lia’s voice and her talent interpreting, composing and conceptualizing - which are admired all over the world - has made her one of the most special and timeless pop singers of our times. Lia used John William Waterhouse’s “Ophelia” as inspiration forthe album cover, as a representation of the false hopes that fade over time. Santi Díaz took the photograph, the color edition is by Jon Alcaide and the final cover design, like all her covers, is by Luis Elefant.
