ER-1201LP [Reissue] / CD Digipak / Digital Album [MP3]
2026 Reissue - LP - Black Colour Vinyl - Limited Edition **Includes a free digital MP3 download [320 kbps]
The CD format available is from the first edition of the album in 2015
There are bands that never truly leave because their songs take up permanent residence in our pop imagination. THE SCHOOL, one of the most beloved, sophisticated, and defining bands on Elefant Records, is breaking their silence in t…
2026 Reissue - LP - Black Colour Vinyl - Limited Edition **Includes a free digital MP3 download [320 kbps]
The CD format available is from the first edition of the album in 2015
There are bands that never truly leave because their songs take up permanent residence in our pop imagination. THE SCHOOL, one of the most beloved, sophisticated, and defining bands on Elefant Records, is breaking their silence in the best way possible. This 2026, they are not only returning to the stage with exclusive performances at Paris Popfest and Málaga Popfest, but they are also bringing back two of their most iconic albums. After years of being out of print and turning into genuine collector's items, they are finally available on vinyl once again:
“Reading Too Much Into Things Like Everything”: returning pressed on a beautiful and elegant white vinyl.
“Wasting Away And Wondering”: reclaiming all its pop brilliance on a classic, timeless black vinyl.
Led by Liz Hunt, the Cardiff outfit perfected a magical formula: reviving the legacy of Phil Spector’s wall of sound, the charm of 60s girl groups, and the luminous melancholy of CAMERA OBSCURA or BELLE AND SEBASTIAN.
These reissues are not just a look back at the past, but a fresh opportunity to enjoy albums overflowing with incredible orchestral arrangements, elegant horn sections, and bittersweet choruses that defined an era. Get your turntable ready, because THE SCHOOL is back in session.
Original promotional text: We have finally gotten our hands on it. THE SCHOOL is back with a huge album, where their maturity and freshness combine to create an unusual formula that, based on soul, pop, and rhythm and blues, goes above and beyond the limits of brilliance and optimism, despite the sad title. Along with their traditional eight-musician line-up, led by Liz’s omnipresent voice, there are three more musicians with them, helping to create an album with lush instrumentation, and stunning completeness. This third album is anxiously awaited by so many of the fans the group has gathered (earned) all around the world with the success they achieved with their previous albums and their fantastic concerts.
“Every Day” is a trademark song in every way. Sixties-inspired folk-pop with precious arrangements, delicious choruses, and delicate but brilliant melodies. The first rays of sunshine are shining through. “Love Is Anywhere You Find It” picks it up a notch. It has a Motown base, a solid rhythm, a bridge that is a chorus in and of itself, and it reaches new levels, along with close cousins like “Your Easy Lovin' Ain't Keeping Nothing” by Mayer Hawthorne and “You Can't Hurry Love” by THE SUPREMES. From “All I Want From You Is Everything”, we were already talking about the advance single for this album: outbursts of ye-ye and a band that is perfectly geared up to make a wall of melody, a solid and simultaneously gently exciting framework “Til You Belong To Me” has fascinating brass instruments. Optimistic, lively, with echoes of Wilson Pickett’s rhythm and blues. “Don't Worry Baby (I Don't Love You Any More)” stands with THE SHIRELLES’ “Will You Still Love Me Tomorrow” as one of the songs that excites us the most, and also leaves us in the greatest despair, using Phil Spector’s legacy. Melancholy and sadness run high. “My Heart's Beating Overtime” is a small piece of dreamy folk pop, a brief message traced by hand and hidden in a handful of incredible songs.
“Wasting Away And Wondering” gets back to rhythm and blues in the best way, with the push and the strength of THE COMMITMENTS, the blues of Rufus Thomas, and an ever-present revitalizing pop spirit. “Do I Love You?” keeps the voltage high with an exceptional example of northern soul that will definitely play thousands of times this year in the best pop clubs all over the world, and that we will definitely dance to until we’ve had our fill. “He's Gonna Break Your Heart One Day” takes us to the best tradition of french pop, from Jacques Demy’s musical “Les Parapluies De Cherbourg” to singers like France Gall and Françoise Hardy, with a bridge that Ennio Morriccone could perfectly have set to music. This is solid proof of how the Welsh group’s discourse has diversified, reaching magisterial levels in all cases. Northern soul reappears with “Put Your Hand In Mine”, with a huge starring role for the string instruments, that give a lyrical tone to a song with an incredibly, highly hummable, really energetic chorus. “I Will See You Soon” was one of the songs that we already heard on the advance a few weeks ago. Straight-forward pop, solid, with small loving nods to ye-ye that play perfectly with the minor chords (another of features that could be said about the rest of the album).
And the album closes with “My Arms, They Feel Like Nothing”. This song deserves a special mention. With its choral scheme, its solid soul, it works like the ideal closure for such a perfect album. Once again, the solid rhythm that comes from Rob Jones (SLOW CLUB’s live bassist and also the producer of this new album by THE SCHOOL, and of SWEET BABOO’s album “Ships”) pushes the song until the wind instruments reach their apex, coming to an end that is like the tail of a sardine: there is no other choice but to listen to the album all over again from the very beginning.
THE SCHOOL has already given us more than enough reasons to include them among the best pop groups of the international panorama, but this marvellous “Wasting Away And Wondering” confirms it definitively. Either way, don’t miss out on the fun!
