Elefant

ELEFANT: Releases [2024]

JANUARY 2024
ER-D353 PIPIOLAS (Feat. RIGOBERTA BANDINI) \"La Niña Bonita\" Single Digital [12-1-2024]
ER-D354 LISASINSON “Mira Chico\" Single Digital [17-1-2024]
ER-D357 INTERROGACIÓN AMOR “Sin ti no soy nada\" Single Digital [19-1-2024]
ER-D359 SUNLIT \"Back\" Single Digital [24-1-2024]
ER-D358 AMOR BUTANO \"Mágica\" Single Digital [26-1-2024]

FEBRUARY 2024
ER-D360 SUNLIT \"Someone So Beautiful\" Single Digital [16-2-2024]

MARCH 2024
ER-D361 SUNLIT \"Don\'t Cry Tonight\" Single Digital [1-3-24]
ER-D362 MARINITA PRECARIA “Momento Decisivo\" Single Digital [5-3-2024]
ER-1291 SUNLIT \"Sunlit\" Álbum Digital [8-3-2024]

APRIL 2024
ER-D365 AXOLOTES MEXICANOS \"Himawari\" Single Digital [5-4-2024]
ER-D364 SOLEÁ MORENTE \"Mi Vida Es Para Mí\" Single Digital [10-4-2024]
ER-D366 LISASINSON \"Salgo A La Calle\" Single Digital [12-4-2024]
ER-D367 PIPIOLAS (Feat. KIKO VENENO) \"Llorarme\" Single Digital [19-4-2024]
ER-D368 AXOLOTES MEXICANOS (Feat. AIKO EL GRUPO) \"ROSAS y ESPINAS\" Single Digital [26-4-2024]

MAYO 2024
ER-1293 AXOLOTES MEXICANOS \"4ever\" LP / CD [3-5-2024]
ER-D369 LABORDE \"No Vull\" Single Digital [10-5-2024]
ER-1291 SUNLIT \"Sunlit\" LP [31-5-2024]

LA CASA AZUL: Celebración 25 aniversario en MADRID y BARCELONA

En 2024 se cumplen 25 años de la publicación oficial de la primera canción de un grupo que, sin duda, ha marcado profundamente la historia de Elefant Records; y lo vamos a celebrar con dos fechas muy especiales en el WiZink Center de Madrid y en el Sant Jordi Club de Barcelona.

Cuando salió “El Sonido Efervescente De La Casa Azul” en el año 2000, pocos podían pensar que ese pequeño grupo independiente e imaginario de bubblegum pop llegaría a la banda poderosa y consolidada que es hoy. Su primer disco largo, “Tan Simple Como El Amor”, ya demostró que la escena independiente se le quedaba pequeña a Guille Milkyway aunque su actitud ante la música sigue siendo la misma. Hits como “Superguay” o “Como Un Fan” lo catapultaron dentro y fuera de nuestras fronteras; en 2007 llegó “La Revolución Sexual” y ya nada volvió a ser igual porque el grupo comenzó a ser ampliamente conocido, los conciertos se llenaban, los festivales lo aupaban; y después llegó “La Polinesia Meridional” y “La Gran Esfera”. Y nos encontramos a nuestro Guille Milkyway ahí, en lo más alto de la cima, siempre fiel a su sonido, a sus influencias y a su forma de entender la música.

Por eso vamos a celebrar esta onomástica tan especial, la de un artista con un sonido propio e inconfundible, un creador con un horizonte infinito ante él, una de esas personas clave para explicar lo que es el pop en España. Dos días únicos e irrepetibles. Y como decía en aquella primera canción, ya mítica, publicada en el recopilatorio “Elefantdiez” en 1999: Tengo una invitación para viajar a un nuevo mundo / Será la solución para enterrarte en un segundo / Cerca de Shibuya olvidaré tu amor y encontraré un nuevo océano / Un huracán de sensaciones pop, algo nuevo, diferente y muy moderno / Espero veros allí.

Viernes, 11 de octubre 2024
Wizink Center
MADRID

ENTRADAS AQUÍ

Sábado, 9 de noviembre 2024
Sant Jordi Club
BARCELONA

ENTRADAS AQUÍ

SUNLIT "Sunlit" limited-edition black vinyl

The welcome that the new project from Joe Moore (THE YEARNING, THE PERFECT KISS, Cristina Quesada, Lia Pamina…), SUNLIT, has received since the album release this past March 8th has been so incredible that today we are bringing you exciting news. On May 31st, we will release a 300-copy limited-edition black vinyl of this debut album. This release is destined to be an object of desire for collectors, and is probably the most introspective thing we’ve seen from Joe, which will make fans of MAZZY STAR, ALVVAYS, BEACH HOUSE and COCTEAU TWINS melt thanks to songs like “Back”, “1985”, “I Won’t Let You Go”, “Someone So Beautiful” and “Break My Heart.” You can feel them caressing you, with their delicious, intimate, heartbreaking sounds that make your heart swell. Don’t miss out!

TRACKLIST: 01 Someone So Beautiful 02 I Won\'t Let You Go 03 Break My Heart 04 Back 05 Glorious Isolation 06 Deep Impression 07 Jasmine 08 1985 09 Teenager 10 Don\'t Cry Tonight

ORIGINAL PROMOTIONAL TEXT

Joe Moore continues showing off his unprecedented creative activity. The amount and diversity of the albums he has released and produced for Elefant Records since 2011 is unparalleled. Everything started with THE YEARNING’s “Jukebox Romance” (2012), full of delicacy and painstaking artwork in marvelous chamber pop, reminiscent of those girl groups from the 50s. Since then, he has made music with Lia Pamina; he has produced R’n’B and electronic pop for Maddie Mae; and he has written eighties-style Italo Disco and europop with Cristina Quesada. He has also collaborated with Julie Big (ex-singer from LE SUPERHOMARD) on the Julie Et Joe project, with which he paid a well-deserved tribute to 80s French pop (ELLI ET JACNO, LIO, MIKADO…). He explored electronic pop with Holly Vanags under the name THE PERFECT KISS, and, together with Luci Ashbourne, paid tribute to ABBA, to disco music, and 70s pop in general on his last album with THE YEARNING. And after having visited all these different territories, he’s back with a dream-pop, shoegazing, folk-pop album with certain crooner touches, where melodic elegance, the most profound relaxation, and romanticism are all back in full force. This new delicacy, a heartbreaking gem that will fill you with joy, is being released under the name SUNLIT, and it is new proof that there is no musical ground that Joe Moore can’t inhabit, with marvelous creativity and tremendous results.

Joe steps into a new space that he has never entered before, and this time he sings the songs himself. Swimming through seas of dream pop, influenced by groups like COCTEAU TWINS, Julee Cruise, Chris Isaak, THE STONE ROSES, Lee Hazlewood, ALVVAYS, BEACH HOUSE and COWBOYS JUNKIES, Joe Moore gives us something beautiful and captivating that is characterized by the austerity of its arrangements, exactly the opposite of THE YEARNING, and the perfection of the melodies. He takes on all the vocals, and with a few guitars, bass, drums, and the occasional keyboard, he fills songs that take us to a place somewhere between Richard Hawley and MAZZY STAR. A place where sadness is beauty, where tears are sweet, where self-compassion is an exercise in reconstruction.

Our eyes light up and our hearts are warmed with songs like “Someone So Beautiful”, “1985” and “I Won’t Let You Go”. The incredible “Break My Heart” talks about the challenge of always loving someone, no matter what they do, while “Back” (which sounds like something taken off the soundtrack from the cult classic “Twin Peaks”) talks about regret, and the desire to escape to the past. Nocturnal spirits run through “Glorious Isolation”, as Joe himself explains, it’s the moment in “West Side Story” when Tony sees Maria. “Teenager”, which explores the feeling of young love, hits a switch that evokes CIGARETTES AFTER SEX, and here the arrangements shine brightly to show off beauty by contrast, dynamic, surprising us like an unexpected first kiss. And to top things off, it works as a bridge between various exercises in musical exploration, bringing us a more contemporary version of the dry, hyper-melodic Italo Disco of SAVAGE ‘s “Don’t Cry Tonight” and taking it to the province of melancholy, and it works as if it had been written to be played this way. Marvelous.

In the end, we get the feeling that this is a more personal body of work, where all the songs are full of meaning, and all the lyrics are directly influenced by the life of our protagonist, where all emotions are right on the surface. It is absolutely incredible how Joe Moore transits between styles, with prowess, inspiration and absolutely extraordinary execution. Is it because he’s a genius? What really matters is that he keeps releasing albums like this “Sunlit”.

LABORDE "No Vull" Single y Video-clip

You could think that LISASINSON’s frenetic activity had led to Míriam’s solo project, LABORDE, taking a break, but really all of that activity was what let her get back to it. This new single, “No Vull”, started with guitars and has slowly taken the shape Míriam feels so comfortable with. Written together with Dani Martínez, “No Vull” is the first song LABORDE has written in her native language, Valenciano. The song is about that moment when you are starting to get to know someone and everything is new and you feel like your floating on a cloud. It’s an exercise in danceable hyperpop with an epic europop chorus and maximum feeling, with one eye on great contemporary artists like Mushkaa, Ven’nus, Sandra Monfort and Ariox. As proof of this transition, this single comes with an acoustic version of “No Vull”, more delicate and intimate, closer and more emotional, and a music video directed by Polígono that is pure expressionism, a panoramic image of colors, lights and shadows, with Míriam at the center. Our star is overflowing with creativity right now. Let’s enjoy it.

TRACKLIST: 01 No Vull 02 No Vull (Soft Version)

AXOLOTES MEXICANOS "4ever" LP / CD

TRACKLIST: 01 Plaza del sol 02 La canción que escribiste 03 en mi c♡razón 04 Cuidar a nadie 05 miau ♪ miau 06 ROSAS y ESPINAS (Feat. Aiko el grupo) 07 Domingo 08 S ! M P 09 Amarre 10 Incendio 11 Himawari 12 Al amanecer 13 Al atardecer

AXOLOTES MEXICANOS have been around for over ten years now. When this adventure started everyone knew for sure they were going to mark the identity of a generation of music. They are capable of bringing together in one single song so many different influences – J-Pop, manga, the most disturbing punk, horror films… They represented the voice of a small majority restless, slippery spirits hungry for life and electricity. After all this time and several singles, a Mini-LP and three albums (including this “4ever” that we are introducing here), they are a super-group. The members have all developed diverse projects that have influenced the different sounds and scenes of the national panorama. Hold on tight because there are twists and turns: CAROLINA DURANTE, CONFETI DE ODIO, TEMERARIO MARIO, Stephen Please, NO FUCKS… But above all they are what they are because they have a frontwoman as unique and inimitable as Olaya Pedrayes. All of this, together with their personal sound, makes us think of them as a giant black hole in the punk-pop space, where we let ourselves get sucked in and abandon ourselves to the unknown and unimaginable energies.

This new “4ever” only confirms what we already know. Once again, they give us those incredible trademark punk hits, more powerful than ever, with the best choruses they’ve written to date, like “La canción que escribiste”, “S ! M P”, “Amarre”, “Al amanecer” and “ROSAS y ESPINAS” (with AIKO EL GRUPO!, what an electric collaboration), where we can hear the incredible production work of Juan Pedrayes himself, with mixing by Bernardo Calvo (who recorded CAROLINA DURANTE’s EPs), Felipe Quintans (LAS LIGAS MENORES, BESTIA BEBÉ… And winner of a Latin Grammy for EL MATÓ A UN POLICÍA MOTORIZADO’s “Unas Vacaciones Raras”) and Dani Alcover (DOVER, NIÑA POLACA, LA LA LOVE YOU). What a combination; so powerful.

Because they are who they are, and because they can, they throw caution to the wind and go for broke several times. Like that epic ballad that is “Incendio”. Like that exercise in luminous jazz that sounds like a tribute to “La La Land” called “miau ♪ miau”. Like that exquisite and summery bossa nova that is “Al atardecer”. The Japanese-accented calypso pop we get on “Himawari” and the J-Pop on “Plaza del sol”. It’s amazing.

They have always done what they felt like and they have always done it better than anyone. And they still do. And we still love them. If AXOLOTES MEXICANOS didn’t exist, they would have to be invented. Although no imagination in the world is enough to think something like this could exist. That’s why it’s even more amazing that they do. 4ever.

AXOLOTES MEXICANOS (Feat. AIKO EL GRUPO) "ROSAS y ESPINAS" Single Digital

With the third full-length from AXOLOTES MEXICANOS about to be released, we are bringing you this last advance single – the third after “Amarre” and “Himawari”. It’s one of those singles that gives you a bit of a chill just to say its name, because AIKO EL GRUPO has joined forces with AXOLOTES MEXICANOS to bring us this gift that is “ROSAS y ESPINAS”, a banquet for the ears of the most savage of punk-pop fans and for wild moshing. That is just what we see in the music video directed by Gómez Selva (LOS CHIVATOS): Olaya, Juan, Mario, Stephen y Lucas unleashing their powerful energy when Teresa, Lara and Bárbara invade the stage. From then on its an explosion, rage, release, horror movies and that last “spiritual” shot that we don’t want to spoil. See it for yourselves. It’s quite an adventure. Two groups that are known for their carefree spirit, their untamed electricity, their “radically assertive” lyrics. A coming together like this had to lead to another crazy electric storm.

PIPIOLAS (Feat. KIKO VENENO) "Llorarme" Single Digital

Rivers of ink (and of bits) are pouring out after “No hay un Dios”. Yes, Adriana and Paula are officially a musical phenomenon. Their songs, so immediate and so full of personality, and their energy (both on and off stage) have turned them into that secret that everyone’s singing along with. After that collaboration with Rigoberta Bandini, the artists who want to enjoy the pleasure of sharing songs with them are more and more important. So, get ready for this one. Because “Llorarme” is a rhythm and blues song that would make Dusty Springfield and Lorraine Ellison jealous, with a XXI century production from Vau Boy and on which they share track with Kiko Veneno, who gives his spicy, delicious touch. The Sevillian, who is still looking for other paths, although he revolutionised flamenco-rock-pop with the LP \"Veneno\" and his participation in \"La Leyenda Del Tiempo\", now joins PIPIOLAS on vocals and guitar. Unpredictable, marvellous, the magic of following inspiration and creativity wherever he is. You cannot imagine what “Llorarme” sounds like. It’s incredible. Those melodies that are right on the surface are so exciting, and that “ssshhhh”. The special chemistry of this unimaginable cocktail is through the roof and takes us to places we’ve never been before. In the meantime, Adriana and Paula continue stage-hopping all over Spain with their total artistic spirit and their overflowing vitality. Just imagining the path that lies ahead for them is dizzying.

LISASINSON "Salgo A La Calle" Single Digital

LISASINSON a blowing through stages like sacks of gunpowder. “Un Año De Cambios” marked the decisions and the path for the duo to definitively establish their concept and line-up, culminating in a successful tour in Mexico, in addition to multiple dates all over Spain, festivals, television appearances, excellent reviews and so many really special moments.

“Salgo A La Calle” is the beginning of a new era, where they give us a glimpse of a more mature sound, just as energetic, a bit less urgent in this first single (although the bpm is still high), more melodic, where the pieces start to fall perfectly into place and where the lyrics go one step further and the songwriting is more convincing than ever.

The thing is, “Salgo A La Calle” begins with a solid bass, as if Simon Gallup (THE CURE) had gotten a group together with DRY CLEANING or COACH PARTY. It’s a tour de force that begins with a contained, agile, danceable tension that builds up with one of those choruses that needs to be shouted, and ends in an epic explosion, the kind that makes the voltage seep in through every pore. But Míriam’s lyrics are an invitation, with two different layers of interpretation that complement each other perfectly: “I wrote it in a period of reflection about myself and about everything I have been going through these past few years and the truth is that the lyrics came from somewhere deep within me and it feels very much my own. It’s freeing and also a reflection. Each line is a trip to a moment in time and in the mind: The “Por fin no hace calor y puedo pensar bien” (Finally it’s not hot and I can think clearly) can be read metaphorically and symbolizes that there is a positive change and I see things more clearly. But it can also be read more literally because I feel much better when it’s not hot. “La ausencia de ruido de los coches” (The absence of noise from cars) alludes to a moment of peace and quiet, where I can hear myself breath and symbolizes self-awareness and self-connection, but at the same time it’s literal because we live surrounding by noise in the city and when you get out of it and your routine you value the silence so much. “La casa vacía” (The empty house) is about understanding yourself better and at the same time feeling alone a lot, which is when you discover so much about yourself. In general, it’s a song about an emotional journey toward oneself, with obstacles overcome and difficult moments”.

“Salgo A La Calle” started in 2020 but wound up being recorded in 2023, with the help of Marc Fernández and Marc Roca, guitar and drums, respectively, for the last tours and now important pieces of the group. Vocals, bass and guitars were recorded with Marc Fernández at Lluerna studios. The drums were recorded by Rodrigo Hernández, mixing was done by Antoni Laguna, Juanjo Muñoz did the mastering at Catmastering and Marc Fernández was in charge of production.

It comes with a music video made once again by Polígono, and we see Míriam living in a city and Paula in the country. Both need to find themselves again, the solitude and noise make life unbearable. Each scene marks the path toward finding each other at the same tree where they used to spend time together. There is no doubt that “Salgo A La Calle” is a new step in LISASINSON’s trajectory, and we hope and we believe that it will be so on many levels.

SOLEÁ MORENTE " Mi Vida Es Para Mí" Single Digital

Another song has arrived from that already famous album that Soleá Morente is making with Guille Milkyway (LA CASA AZUL), and everything is pointing to another leap of faith, a new exploration in unknown territory, another sharp turn in a career called unexpected and improvised globetrotting. After “Vamos A Olvidar” and “Gitana María”, we now have “Mi Vida Es Para Mí”, a song that gives us a sneak peak into the more intimate part of this collaboration. It is also very special for both of them, since it was the first song that wrote together in Guille’s studio, a space where sparks fly every time they get together. On “Mi Vida Es Para Mí” we can clearly recognize Soleá, who shows herself and opens her heart with no hesitation, where she gathers strength to reaffirm herself, where she shows her insecurities with ease (“And it’s funny, all the stupid things you said / That it wasn’t star material at all / Not indie, not pop, not flamenco”), where she looks for that turning point, that support that changes everything. “I feel so empty / And drinking doesn’t work / And Valium fucks me up / I’m going to annihilate the time I wasted / My life is for me”. To do so she uses vertiginous references; “Mi Vida Es Para Mí” navigates between the nebulous terrain of WEYES BLOOD, the sonic confidence of ST. VINCENT, the intimate epic-ness of Lorde, the introspective melancholy of BEACH HOUSE and the dense landscapes of TAME IMPALA. Electrifying, high voltage, emotions right on the surface in every sense. Right down to the cover photo by Pablo Hoyos. It’s all so wonderful.

AXOLOTES MEXICANOS "Himawari" Single Digital

It’s almost here. After “Amarre”, AXOLOTES MEXICANOS are back with another advance single from their imminent new album “4ever”. And look out, because “Himawari” is one of those fascinating shifts from AXOLOTES, since this new song has some of the Shibuya-kei sound from the early 2000s, touches of rumba, echoes of anime intro and a luminous and catchy melody. Its freshness becomes something brilliant and sing-songy with Juan’s production work, and mixed with Olaya’s clever lyrics it rounds out into an unquestionable, danceable, unbiased, very liberating hit. “Ojalá no viviera en un piso interior / Me olvidaría de tus dramas mirando por el balcón” (If only I lived in an apartment that didn’t have views of the street / I’d forget about your dramas looking out over the balcony). That’s how it goes. Get ready because AXOLOTES MEXICANOS new album is shaping up to be something special.

SUNLIT "Sunlit" Álbum Digital

TRACKLIST: 01 Someone So Beautiful 02 I Won\'t Let You Go 03 Break My Heart 04 Back 05 Glorious Isolation 06 Deep Impression 07 Jasmine 08 1985 09 Teenager 10 Don\'t Cry Tonight

MARINITA PRECARIA “Momento Decisivo" Single Digital

The time is getting nearer, after that 10” vinyl called “No Me Miréis”, for the first full length from MARINITA PRECARIA. We have already advanced “Final Explicado” and “El Mundo No Es Para Tanto”, and now it’s time for “Momento Decisivo”, where she once again gives us a marvelous exercise in vital costumbrism to express that moment of longing, the expectations, the yearning. The ease with which Marina Gómez paints these stories comes from an identity based on a way of seeing the world that is full of love and sensitivity. We can also appreciate Sergio Pérez’s production work in the music, who has worked with LA BIEN QUERIDA, Joe Crepúsculo, LOS PUNSETES, Soleá Morente, MUJERES, CABIRIA and so many more), which gives MARINITA PRECARIA’s music a special strength, elevating the emotional intensity of something that is already created to make you shudder with excitement. It’s everything a “Momento Decisivo” needs. And that moment is about to arrive.

SUNLIT "Don't Cry Tonight" Single Digital

There are songs that were written to be listened to with a broken heart. The daring. Only in that moment when you feel like you\'re moving through muddy water, that song is waiting to receive you and keep you afloat. Only the chosen ones, those that were created in similar circumstances (like this italo-disco classic from SAVAGE) can pull it off. Joe Moore gives us this gift of a fourth single, and the last advance from his project SUNLIT’s debut album, which is a revision somewhere between the luminosity of the COCTEAU TWINS from “Heaven Or Las Vegas” and the darkness of THE CURE from “Disintegration”. It takes us to the dark side of the heart. A side we spend a lot of time in, in our lives, and where we need company. “Don\'t Cry Tonight” is positioning itself as one of the best versions that you will be able to enjoy this 2024.

LA MONJA ENANA: 25th Anniversary Concert MADRID

LA MONJA ENANA is one of the groups that best symbolizes a golden period at Elefant Records. 2024 is their 25th anniversary, and their 25 years requires a special celebration. This celebration is going to happen on October 5th in Sala Siroco, which has welcomed them to their stage so many times, especially in Juan de Pablos’ “Flor de Pasión” parties. There are so many reasons, in addition to the group’s anniversary, that make this celebration unique. Let’s start from the beginning.

Their career started off strong. In January 1999, they were formally introduced to the world as the opening band for METEOSAT in Madrid, they participated in Elefant parties along with NIZA, VACACIONES and JUNIPER MOON, and in August that year they released their first single, “Pídeme Un Deseo”. This single became what was probably the first Spanish single to be single of the week at the prestigious British music magazine Melody Maker. Soon after, it was playing on the BBC at the hand of none other than John Peel. And as an added treat, they were also played on Boston College Radio’s WZBC. While songs were included on various compilations, and they still hadn’t released their first album, they continued wracking up the hits and playing concerts sharing the stage with groups that were just coming out at a huge moment for pop music in Spain, like LA CASA AZUL, LA PEQUEÑA SUIZA, PARADE, LA CHUFA LISÉRGICA ...

In July 2000 they participated in a tribute to FAMILY in the inauguration of the legendary Madrid club Ochoymedio, where they played two of the San Sebastian duos’ songs. 24 years later, Ochoymedio is still one of the most important clubs in the capital.

In 2001, the North American publishing house Prentice Hall published “Conexiones”, a textbook to learn Spanish that included two songs by LA MONJA ENANA: “Bajo Tierra” and “Cartas De Amor”. In December the same year the group played a series of shows in Russia. They are probably the first Spanish indie group to perform in that country. They played shows in Moscow and Yekaterinburg, and in the “International Electronic Music Festival” held in the city of Izhevsk on December 1 and 2.

Tetric songs, so to Juan’s liking, combine perfectly with Ana’s colorful melodies and sweet voice. And their success continued to rise. In 2002 there is a double release: a split album with AVIADOR DRO and L KAN, “¡Qué Mutada!”, and, finally, their second single, “Un Cadáver Que Abre Un Ojo”. In 2005, their singles and some lost songs are collected on the album “Un Secreto Terrible”, released in France on La Bulle Sonore and in Mexico on Molécula Records. It isn’t until 2008 when they release their first full-length album, “Humo Y Espejos”. There are many concerts all over Spain and also in cities beyond the Spanish borders, in Mexico City, Monterrey, Tijuana, Paris, Lima, Stockholm and Los Angeles. In 2015, they share a new adventure with AVIADOR DRO and L KAN on the album “Supergrupo: Crisis en Autonomías Infinitas”.

The rest is history. Ana has since been the singer for COLA JET SET, LAS ANNETTES and is currently the official singer of LOS FRESONES REBELDES and Juan, always loyal to the future and to new technology, came in second in the world with the PAMP! team in the “AI Song Contest” (international contest for songs made with the help of AI) in 2022, and third in 2023. The LA MONJA ENANA songs have continued to be included on compilations in Peru, Mexico, Japan... On TV shows and events. They became one of those groups with an elusive trajectory, but who made an unforgettable mark. That’s why seeing them on stage again is going to be a huge celebration. The kind no one wants to miss. That’s why we’re letting you know well in advance. So, you can mark the date on your calendar with a special color.

Saturday, 05 october 2024

LA MONJA ENANA: 25th Anniversary Concert

Siroco
San DImas 3
MADRID

Time: 21:30

TICKETS

SUNLIT: "Someone So Beautiful" Single Digital

The third advance single from Joe Moore’s new project, and something tells us that SUNLIT might be the most special one yet. The sincerity in the lyrics, the close, melancholic emotions in the songs running high, full of tenderness, all lead us to believe this. “Someone So Beautiful” is here as proof. This song is a caress in and of itself, swaying with those reverbs that make us feel like we are in a dream, that evokes some of those incomparable gems that have accompanied us in our most solitary moments: THE FIELD MICE, RED HOUSE PAINTERS, ANOTHER SUNNY DAY, BRIAN and GALAXIE 500. This is a special, unique, inimitable sound, that the British composer transports us to, showing us once again his love of music, his infinite inspiration and his talent with production work. Enjoy.

LISASINSON: México Tour

Thursday, 22 february 2024  CCEMx - Espacio X CDMX (MÉXICO)

Friday, 23 february 2024  LISASINSON+ Babas Tutsipop + Noctourfei PUEBLA [MÉXICO]

Saturday, 24 february 2024 LISASINSON + Babas TutsipopForo 304 TOLUCA [MÉXICO]  

Sunday, 25 february 2024 LISASINSON + Muérete tú + NoctourfeiEl Club del Rock & Roll CDMX [MÉXICO]

AMOR BUTANO "Mágica" Single and Video

AMOR BUTANO continues with their non-stop digital news. We are so close to the imminent arrival of the 4-song EP, “Te Noto Cambiada”, from which we are bringing you the advance single “Mágica”. The song once again makes it evident how great the production work of Diego Ferrando (production and keyboards), Raquel Goterris (keyboards and vocals) and Sara Alegre (keyboards and vocals) is for building disco hits with a nihilist spirit and fascinating lyrics. A powerful base, synthesizers that are just in love with the eighties, and a totally delicious, catchy chorus. It takes you straight to the dance floor to feel it to the fullest. To go along with the advance, the single comes with a video directed by Javier Artigas and Óscar Javier. Óscar also appears in this visual document where dance is the clear star, hedonism is the inspirational muse, and Cachofurro’ special appearance brings a perverse sense of humor to the final result, with Valencia in the center as the main stage. Our queens of the dance floor are back!

SUNLIT "Back" Single Digital

Every time we come back to this album it brings tears to our eyes. Of course, because each advance single from Joe Moore’s new alter ego makes our heart swell, but also because we are amazed to see how the British composer handles each musical territory he touches so exceptionally. “Back”, the second single from the new project, is a radical example. We know that there will be no more songs from MAZZY STAR, or Julee Cruise, or OPAL. But then we hear “Back”, and it comforts us. It reminds us that music, as much as there are voices and media that try to kill and resuscitate musical labels, never disappears. When the music speaks the truth, it becomes eternal. When it whispers, caresses. When it makes us feel like we’re not alone. Joe Moore is an artist who is a master of all timbers; he pulls all the strings with unusual magic. Take a deep breath. Listen.

INTERROGACIÓN AMOR “Sin ti no soy nada" Single Digital

They don’t accept definitions or labels. They play at misleading so well that we all know they aren’t interested in that. They are real. Authentic. They are radically different than any other group you know. That’s why their new single is going to blow you away (again). It is a cover of AMARAL’s “Sin ti no soy nada” taken to the range of audio experimentation, where frequencies twist together and the rhythm creates a sonic trance somewhere between industrial music and Ibiza nights. As if Björk decided to remake Chrissie Hynde songs. That’s where the musical extasy lies, the catharsis, the freedom and the love. And no, this isn’t about deconstructing or about posturing. Javier and Carlos went into this cover with this position: “Covering “Sin ti no soy nada” is an exercise in nostalgia and adaptation of one of our earliest references, revisiting a classic that is emotional, fragile and powerful through the way it experiments with sound”. This song was played a major role in their concerts in 2022, and which ultimately, after the response it received, has turned into this new single. We will never get tired of saying it: INTERROGACIÓN AMOR is a rara avis, an exception, an infinite quantic accident on the music scene. We need them. And the best part is that we don’t even know how much yet.

LISASINSON “Mira Chico" Single and Video-Clip

It was one of the most-requested songs. “Mira Chico” is definitely one of the great songs from “Un Año De Cambios”. The album definitively catapulted Míriam and Paula: the release in Japan of a gorgeous edition, selected as an Amazon Music ROMPE group, absolutely sold-out release parties, interviews, and national and international coverage… And now this is finally here. The new single from LISASINSON, the last one taken from their album “Un Año De Cambios”, and with a music video by Polígono that’s as good as the song. Those nineties guitars playing and then it explodes, the brazenness, the punk, the riot spirit. The beginning of the video throws you off; it’s a kind of pseudo-documentary where our protagonists talk about what’s behind LISASINSON, and suddenly it shifts toward a story about two girls who race through a desert in their car, in search of the treasure of their lives. And the treasure is ours, because we have a whole year of concerts, hits, amazing songs, and so many new things ahead of us. A year that will change things, but in which we will be with LISASINSON, more than ever.