The new EP of SINGLE deepens even more the unexplored grounds which we caught glimpses of in the first two EP's and her fabulous debut album. The song which opens up the new EP is a strong statement of intent which inspired the name of the album "Pío Pío." A sampling symphony with Bollywood styles floating about, forming a multicolored collage from reshaping and mixing together a little bit of reggae, country, easy listening…
CD-Single Digipak
The new EP of SINGLE deepens even more the unexplored grounds which we caught glimpses of in the first two EP's and her fabulous debut album. The song which opens up the new EP is a strong statement of intent which inspired the name of the album "Pío Pío." A sampling symphony with Bollywood styles floating about, forming a multicolored collage from reshaping and mixing together a little bit of reggae, country, easy listening, including a brief reference of KRAFTWERK, creating impossible melodies and completely new rhythms. Along with the chirping of the piano of the star song, there are another three songs on this splendid CD-Single. "Té chino" is practically a lyrical tour de force and is a playful waltz between Teresa and her habitual collaborator on the piano, Rafael Guillermo (POP TOPS), "Cantiga para pedir dos tostoes," a cover of a song of the 70's by the Portuguese singer, José Mário Branco. The frenetic and psychedelic version counts on the collaboration of Rafael Guillermo, again on the piano, and ANTI on background vocals. Finally, “Los Muebles” is a poetic and an aggressive song, as well; experimental, showing the endless restlessness and curiosity of this one and only musical project: it shows a Teresa converted into an Iberian Yoko Ono whaling out poems of the Argentinean writer, Julio Cortazar, with the counterpart of the serene and warm voice of Jose Anitua (ex CANCER MOON), who collaborated on “Sic Transit Gloria Mundi,” the last song on the last album of LE MANS.
And we still haven't touched on the cover art, the spectacular photography where Teresa's image is displayed as a bird-woman, a princess of disappeared civilizations that lived in trees and dominated with the skill of silver work. Once again, the photo, as well as the helmet that Teresa has on is the master work of Javier Aramburu.
